Does Michael Sheen know his own career? Watch the video. Title: All Dogs Go to Heaven While emigrating to the United States, a young Russian mouse gets separated from his family and must relocate them while trying to survive in a new country. An orphaned brontosaurus teams up with other young dinosaurs in order to reunite with their families in a valley. Charlie and Itchy return to Earth to find Gabriel's Horn, but along the way meet up with a young boy named David, who ran away from home. A family of Emigre mice decide to move out to the West, unaware that they are falling into a trap perpetrated by a smooth-talking cat. To save her ill son, a field mouse must seek the aid of a colony of rats, with whom she has a deeper link than she ever suspected. The magical inhabitants of a rainforest fight to save their home, which is threatened by logging and a polluting force of destruction called Hexxus. This retelling of the Hans Christian Andersen classic fairy tale has the digit-sized heroine evading the clutches of various toads, moles, and beetles before she can proceed with her courtship with her dream lover, Prince Cornelius.


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That movie⦠is The Little Mermaid. Except All Dogs is also a horrifying phantasmagoria of murder, demons, drinking, gambling, hellfire, and blue eyeshadow. Sure, this is all sort of par for the course for Bluth; the former Disney animator has a reputation for making movies that skew much darker than the ones made by his former studio. Sure, movies like Watership Down might give the flick a run for its money.
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The first thing I noticed about Don Bluth 's "All Dogs Go to Heaven" were the colors - the rich, saturated colors that I identify with the early days of animated features. When Technicolor shut down its classic color operation and led the movie world to an inferior but cheaper system, animated films suffered more than live-action movies, because their bright primary colors were essential to their over-all effect. Most movies made from the early s to the late s have suffered serious fading, but the animated movies looked a little pale even to begin with. Now Technicolor is back with an improved color system, and in "All Dogs Go to Heaven" it permits such a voluptuous use of color that the movie is an invigorating bath for the eyes. The bright palette is used to paint animated characters who are also a treat, because in his latest animated feature, Don Bluth has allowed his characters to look and behave a little more strangely. There is a lot of individualism in this movie, both in the filmmaking and in the characters. Bluth is the former Disney animator who led a group of artists away from the studio during its doldrums in and set up his own animation operation. Now here he is with a fantasy about canine low-life in New Orleans. The movie involves the adventures of Charlie B.